09 June, 2015

Dil Dhadakne Do - A serious wake up call for Zoya

When a director makes a superb debut film, follows it up with a blockbuster hit road movie and has partnered on interesting projects then not only does she raise the viewing audiences expectations but also that of the producers, so what if they are family.

It is like the novelist who after having come out with a spectacular first book is paid a huge advance by the publishers for the upcoming one.

This can be serious pressure. The unexpected can happen too, like if the writer director hits a block on ideas and the delivery date is fast approaching. Then what does the think tank of this project do? Should they still go ahead and launch the project in its expected style ? This one does. Big names are roped in, given the prestige associated with the producers and the successful director involved; the budget also expands exponentially. But still the story idea does not emerge, so what next?

An earlier movie called Honeymoon Travels Pvt. Ltd had a bus journey, the Think Tank searches for inspiration within the same base skeleton of that plot ( after all its their own production) and then they up the ante. The bus journey from Bombay to Goa now becomes a Luxury cruise between Turkey and Egypt. The pieces have begun to fall in place. Soon a screenplay emerges from the one liner that the director had begun this project with. And now what do we get?

We get a superbly packaged film that has a screen play, one that is a medley of scenes. In the process of building the scenes up, now even the one liner story plot is brushed aside and so if we keep searching for it its not a guarantee we shall find it now. Out of Zoya's previous two directed films, “Zindagi Na Miley Dobara” achieved commercial success. It was a great package because it cohesively was held together with exotic locales and a purposeful story that grew upon you as the movie progressed. The first one, Luck By Chance was a searing comment on the Hindi Motion picture industry , made with a lot of heart and hence the most honest of her work so far. ...

“Dil Dhadakne Do” like the title suggests is an entreaty to the viewing audience...please do bring your hearts to this movie because we didn’t put ours into it.

Farhan Akhtar with his cult debut Dil Chahta Hai introduced us to his world of the uber rich and it continues in most of the films produced by Excel Entertainment. Its an altogether special and different world; a world of cut glass and crystal. Here social butterflies bitch serenely over herbal teas and baba ganoush, while their hubbies play golf, have their flings on the side in distant locations and talk multiple billions with absolute impunity, offspring are but mere pawns in their business deals. When they rebel and show individuality, they are screamed at that they never had it so good because they were spawned by self made men. Three such screamers are Parmeet Sethi, Manoj Pahwa and the loudest of the loud (Kamal Mehra) Anil Kapoor. Notable among the wives is Kamal Mehra's spouse played by Shefali Shah. The Mehra’s to celebrate their 30th Marriage Anniversary organize a cruise party. The impact that this cruise has on their two children Priyanca Chopra and Ranveer Singh and their love lives forms the crux of this film. 

What one can look for here if one has to go for this film...is of course the scintillating presence of Ranveer Singh & Anoushka Sharma, they are on fire and their auras grab eyeballs whenever they are on screen. Priyanca Chopra has done a splendid job as Ayesha and looks glorious in the fine clothes she gets to wear. Anil Kapoor is Anil Kapoor and the old dog hasn’t learned a single new trick. He still confuses raising the performance bar to increasing the sound decibel levels and that he does at regular intervals. The worst part is that he has been given the maximum screen time and this blunts the edge of the film. The other metabolic waste in this film is Rahul Bose. Small mercies is that he is accurately cast as the constipated chauvinist; his is the most exemplary of performances because he lives the part and brings it to life just by being. He does not act at all...why? Did someone consider the possibility that maybe because he just can’t? There is a dog Pluto who narrates the side stories. He sounds like Aamir Khan and on closer look even resembles the finicky star. Divya Seth has by now become the symbolic token of anything Delhi in a cinematic plot just like Victor Bannerjee once upon a time was of anything Bengal.

Ranveer – Anoushka – Priyanca keep the filmy ship cruising. The Anil Kapoor- Rahul Bose combo almost sinks it but the other characters in sheer numbers balance them out and prevent the mishap. Farhan Akhtar should get back to direction quickly, he is looking jaded and the thrill of being seen on screen is long gone, acting now definitely seems to not be his metier. Shankar, Ehsaan & Loy are uninspired.



Zoya needs to pull up her socks. What one feels when one comes out of the cinema hall is being short charged and quite arrogantly too. 

The product has been released and is now so in your face, god forbid if you don’t like it, because then you may even be brashly told it’s maybe too classy for you. 

This film is a wake-up call and hope she reads it well, because one doesn’t like to see ordinary stuff from talented directors. If it makes tonnes of money, that would make it even sadder. 

11 May, 2015

Piku : This Sircar Delivers

The Bengalis are back into Hindi Cinema and how? Dibakar Bannerjee had his Byomkesh Bakshi and now Shoojit Sircar releases Piku...the year couldn't have begun on a better note.

When one looks at Narendra Modi, a closer observation shows him up more like the Prime Minister of Gujarat than the Prime minister of India. Similarly the Hindi film industry had started looking more and more like an extension of Punjabi Cinema.  Now, I have nothing against the Punjabi language and culture, it’s great on its own but how much of Balle Balle and Shawa Shawa can one take? The way ahead had to be variety and not some one insisting "That's the way...Mahi ve". 

Shoojit Sircar has scored a hat trick. After his superb Vicky Donor and Madras Cafe, one had raised expectations of him in his next offering; a director who ideally married the art of telling a simple story simply into a commercial format and one who sated the sensibility of both the critic and the front benches. It is a huge ask. Very few film makers have managed to walk this golden mean...Sujoy Ghosh with his Kahani, Zoya Akhtar with her Zindagi Na Mile Dobara, Anurag Basu’s Barfi , Sircars own Yahaan, Vicky Donor and Madras Cafe, Sriram Raghavan with his Johnny Gaddar, Ek Hasina Thhi and Badlapur and the champion of them all Raj Kumar Hirani with all his films. Anurag Kashyap is another maverick but like his mentor Ram Gopal Verma quite inconsistent. Now you can see the dilemma that when one can capture all of such Hindi Cinema inside of one paragraph we have a crisis on hands. With Salman gone for a while the hundreds of crores shall come from Aamir, Shahrukh, Akshay Kumar and Ajay Devgan...commerce never had a worry, sense had. The tragedy of Hindi cinema is that the industry has far smarter individuals than the products they dish out ; Dumbing down a product has become the default norm. 

Piku : The Movie

Not so with Piku, here Sircar takes us into the life of Piku and Bhaskar Bannerjee, a dysfunctional father-daughter pair. The father is an eccentric, constipated widower who has a penchant for linking every issue in the world with this particular bodily anomaly of his. 

Amitabh Bacchhan as Bhaskar Bannerjee shines after a long time in a role that he seems to have thoroughly enjoyed playing. 

Piku his daughter, is a smart young woman of the world who is in charge of their lives, completely submerged in the task of managing her own work, and a domestic life kept interestingly complicated by her eccentric father. Theirs is an interaction that is a delight to watch. Deepika Padukone has come into her own in selecting the right kind of cinema , one that raises her own bar of performance in the company of a vintage Bacchhan and the super savvy Irfaan Khan. 

Their lives are made fuller by the presence of her maternal aunt , Moushumi Chatterjee - superb, Raghubir Yadav extremely able as the family doctor and friend  & Jishu Sengupta as her working partner - credible . Into this life crashes Rana Chowdhary ( not a Bengali announces Bhaskar Bannerjee with the same dry cheekiness that he introduces his daughter Piku, not a virgin ) and thereon begins a journey from Delhi to Kolkata. In the simplicity of this story lies its elegance. Anupam Roy’s lyrics and music fits into and enhances the tapestry of the fabric of the film with gentle notes. The songs remain in the background but are profound.

"Dheere chalna hai mushkil, 
to jaldi hi sahi,
Aankho ke kinaro me 
bahane hi sahi
Hum chalein baharon mein, 
gungunaati raaho mein,

Khwahishein Anjaan hai, 
ab kya karein
Shabdo ke pahado pe 
likhi hai dastaan,
Khwabon ke lifaafo me, 
chhupaa hai raasta
Hum chalein baharon mein,
gungunaati raaho mein,
Dhadkanein bhi tez hai ab kya karein"


Piku is genteel cinema for the refined sensibility. The toilet humour just remains as the spice on the side while the characters grow on you in their journey. It is a charming little film and is a must watch for all. Amitabh is splendid but it is Deepika who holds the eyeballs every single time she is on screen. She delivers an absolutely riveting performance.  This is like driving all the way to Gariahat from Howrah to eat the fare at Bhojohori Manna...the experience is exactly the same, Sublime.  

06 April, 2015

Detective Byomkesh Bakshy - A Hilsa curry that used Pomfret


The detective template & early avatars of Byomkesh

Nearly fifty years after Arthur Conan Doyle penned the most replicated detective character template in Sherlock Holmes & Watson...the Bengali writer Sharadindu Bandopadhyay created Byomkesh Bakshy and Ajit in the milieu of Calcutta. Now Byomkesh in Saradindu babus short stories never addressed himself as detective. He preferred the term “Satyanweshi” or the truth seeker instead.  The same template was picked up by Satyajit Ray a few decades later in 1965 to fashion his Feluda , Topshe & Jatayu and detective fiction flourished in India with Byomkesh & Feluda leading the pack of popularity.

Feluda’s world was cleaner, what with Ray also being a film-maker. Maybe he thought in a cinematic perspective first and then the writing emerged, fashioning itself around that vision... on the other hand Saradindu babu was a sharp penman who had no such compunctions about the environment in which his detective resided...His pre-independence Calcutta is sordid, dark and has a seedy underbelly much like Conan Doyle’s London. This is the world that Dibakar Bannerjee successfully recreates...in bold colours and with superb detailing.

The interesting coincidence is that the first time the Satyenweshi breathed on screen was under the baton of Satyajit Ray the creator of Feluda, with Uttam Kumar as Byomkesh & Shailen Mukherjee playing Ajit in “Chiriyakhana”, the year 1967. Many other movies followed till Basu Chatterjee in 1993 & 1997 across two seasons adapted each of his 32 short novellas into a TV series with Rajat Kapur as Byomkesh & K K Raina as Ajit. Outside of Bengal,  this is the most enduring image of the detective.


Detective Byomkesh Bakshy – The Movie



Detective fiction readers are known to have short attention spans. Bandopadhyay with Byomkesh, wrote only short stories or novellas. For cinema then it becomes doubly imperative that the screenplay over the 120 plus minute period holds the audience enthralled throughout.

Bannerjee, here does something very interesting. He takes three separate stories from the author’s collection and picks the primary characters from them. Then he weaves all of them seamlessly into one plot while keeping the original flavour of the stories intact. This is the best part of the movie, it's screenplay by Dibakar Bannerjee & Urmi Juvekar. 


Ajit engages a fresh out of college Byomkesh to locate his father Bhuven babu and the story takes off, taking us along with the protagonists on a joy ride that is truly mysterious...wheels spin within wheels and the knotty situations don’t unravel easily...and this is the beauty of the screenplay, it keeps the viewer totally engaged. Byomkesh finds obstacles, love and adventure in his resolution of the larger plot that emerges out of the simple missing person case.

The music by Sneha Khanvalkar is psychedelic and adds a different dimension to the spectacularly bold visuals on screen. The 1940’s Calcutta recreated is simply superb...with attention to even minor detailing like film posters on walls. The support character cast of Anand Tiwari as Ajit, Swastika Mukherjee as the sensuous siren Anguri Devi, Meiyang Chang as Kanai Dao, Aryan Bhowmick as the dispensary boy  and Neeraj Kabi as Dr Anukool Guha are first rate and rise above their characters.They are the ones that lift the plot into another zone...the newcomer Divya Menon as Satyaboti wades through and manages to hang in there bravely, doing nothing much but look pretty.

There are several quirks and physical traits of Byomkesh Bakshi as sketched by  Saradindu  babu that have fit and been picked up by the varied actors who have played him earlier in the past ...right from Uttam Kumar, Sattindra Bhattacharya, Subhrajit Dutta to Rajat Kapur...they lived the role. 

No one but a Bengali director could have directed Byomkesh was a given, because the spirit of the ethos unless authentic would certainly have destroyed the fabric in Bandopadhyay’s tapestry. Here Dibakar Bannerjee is on the ball. Has Sushant Singh Rajput done a good job? If there existed no past comparative memory then, yes he is OK...But having read Bandopadhyay and seen earlier performances, now if asked again does Sushant  make a good Byomkesh...definitely no.

Dibakar attempted to cook up an Illish Maach ( Hilsa fish) curry , the spices are correctly ground and mixed and the curry looks and smells right...but when he was to drop the piece de resistance, the fish into the curry,  Aditya Chopra handed him a “Pomfret” instead of an Ilish.  At that very moment what may have been a possibly perfect dish went for a toss.  Someone may very well ask, so what is wrong with a Pomfret? Well...nothing, except that it is not an Ilish and hence quite simply doesn't cut the mustard .

12 January, 2015

Movie Review : Ugly ... so ugly that it is brilliant !

Viewers or Voyeurs?

Some times, just some times, one goes into a cinema hall expecting nothing and comes out with a screen experience so stark and real, it leaves one totally gob smacked. ‘Ugly’ is one such experience where the viewer is turned into a voyeur.
This is on account of the events taking place in front of his eyes are so bare one doesn't feel one is watching a movie. You the viewer are the invisible participant that sees all of the ugly slice of life unfolding before your very eyes.

If one asks me what has been Ram Gopal Verma’s biggest contribution to cinema, unhesitatingly I would state that it is his ‘Factory’ that makes those entire mercurial and eclectic films. It is from here that Hindi cinema has been introduced to talented actors, writers, cinematographers and directors. Anurag Kashyap is one such find that came from the Factory and made his mark with his unique brand of cinema.

Worlds of Cinema

In Ugly we get into Anurag Kashyap’s world. If you notice there are different worlds in Hindi cinema, there is a Yash Raj World that has daffodils, Switzerland, love, good songs and more over it is beautiful and no one is poor. It is a trip to a five star hotel’s restaurant, where the cuisine could be anything but the ambiance rules paramount. This world has been extended into two stylized worlds, one owned by Dharma Productions or Karan Johar’s world that is young, candy flossed to the extreme; there are extra terrestrial colleges the kind one may never have encountered on earth. Moving in it is like a visit to a franchised outlet on the lines of a McDonalds or KFC...everything looks & tastes the same the only variation in the equation is the shape of the restaurant, which could be different. The other stylized extreme to it is owned by the Bhatt brothers of Vishesh films. Locations are hip, clothes are chic, there is tight young flesh on display and wonderful music to back it up, the plots are real exposing the underbelly but without getting the hands all dirty. People may die at inopportune moments in this world and there is weakness of character generally that flashes about predominantly. This is Mahesh Bhatt’s world. It is like visiting a multi-cuisine, Grade –A restaurant where the ambiance is clean and all dishes served are either orange or green. His nephew Vikram Bhatt is stylizing a world left vacant by the Ramsay Brothers and Mohan Bhakri’s . Vidhu Vinod Chopra was the king of soft focus romances till he stopped making films and handed over the baton to his two assistants Raju Hirani and Sanjay Leela Bhansali. Raju Hirani and Abhijat Joshi made a world akin to Aesop, meaningful yet funny and having a moral. It is a community kitchen like MTR, where the focus is on wholesome food of superior quality served in a middle class neighbourhood.

 A visit to Bhansali’s world is still being figured out by Bhansali, no one else can understand it and comprehension is a far cry. RGV crashed into this party with his own take and pushed the envelope in a different direction. His cinema was technically superior, dark had blood and gore and his speed of making films was mind boggling. Quantity replaced quality and for every four times one takes a trip into this world you get a good ride only once, but that one ride shall be spectacular making one forget the sheer ordinariness of the previous three. RGV was the Pizza Express all offerings reach you within half an hour, excellently packed and only once ina while you make the right call with the toppings...

Anurag’s world is a visit to the back of the by-lanes kebabwallah’s where the neighbourhood is filthy but the kebab’s are skewered fresh from the mince rolled right in front of your eyes. The process is Ugly but the result is always delicious, his cussedness lies in making us a part of his process, if you can withstand that then you shall enjoy the ride. It’s not for the faint of heart, this world.

Ugly : A Movie or Reality...go figure


Ugly lay’s it all out there. Human weaknesses, Corruption, Crimes of the depraved and petty mind & power games in a plot so intricate that if you miss a scene you shall miss the momentum of the bus that is hurtling to an end at breakneck speed right from the moment you boarded it. 

A ten year old is kidnapped and the plot touches upon one of the worst crimes in the roster child trafficking. From this event begins the game of search and whodunit. Every single person in the frame is Ugly...the soul less eyes of the lady trafficker as she blows a plume of bidi smoke and denies everything while being interrogated by the cops, to the starring characters of Inspector Shoumik Bose ( Ronit Roy, outstanding ), His wife Shalini played brilliantly by Tejaswini Kolhapure, Rahul Bhatt  as the out of work actor Rahul Kapoor& Vineet Kumar as his casting agent, part time producer of B-grade films(By far the most stand out performance in the film), Girish Kulkarni as Inspector Jadhav ( effortless, like he was in the Marathi film Deool) and a support cast of excellent actors like Ajay Purkar, Jayant Gadekar, Madhavi Singh  and the late Abir Goswami. All are ugly.

The technical cast and crew has supported the film brilliantly but at the end of it all it is the director who stands tallest in making a movie with as much honesty and not taking the viewer for granted even once in this amazing and horrifying tale, Anurag Kashyap. It is difficult to stand up to one’s own work at times and after Gangs of Wasseypur one wondered what would come next whether it would enthral and disturb equally.  With Ugly, you have gone that extra mile, take a bow, its well deserved. This movie is a must watch for all those who like real cinema, going to the movies shall never be the same experience after this.

26 September, 2014

The Ladakh Diary : Unforgettable , Beautiful & Unpredictable Paradise - Part 1/4

# A picture is worth a thousand words goes the cliche, we clicked 2500+. Now even if we do ditch 90% of them, we are still  left with 250 and that would be like going through a quarter of a million words. So if I describe the experience in a few thousand words and a few photos to accompany the write up,  would it still be considered an effort in precis writing ? Go figure. 

Holiday Destinations

There are holiday destinations & holiday destinations and then there is the Kingdom of Ladakh. Nothing that anybody tells you beforehand about it can ever prepare you for the actual experience. Believe me, we had serious information overload.

I do have a penchant for making absurd comparisons. Let us for one moment imagine that all holiday destinations in India are women. How can one describe the popular destinations like say a Goa, Mahabaleshwar, Kulu-Manali, Munnar, Ooty etc? They are that young woman, absolutely pretty; having a cheerful grin who welcomes you with warmth makes you comfortable in her company. One that you enjoy so much that eventually you take her to mom and tell her she’s it, the long sought bahu, give your blessings. These are the brides.

Ladakh, on the other hand is the wild, beautiful, sultry lover, with a cool smile that instantly turns you on, whose bedroom eyes promise exciting times. With her one shivers in anticipation on when would she scratch or bite, knowing fully well that she definitely would, in whose embrace, the rest of the world is forgotten, blip....What about mom?
Well... Who’s Mom... What about her?  In the company of such a woman, you would find yourself swearing that yours was an immaculate conception or you were dropped by a stork & you never ever had a mom. Ladakh is that lover, Moms n lovers don’t jell ...naahhhh, nevaahhh. 

Most destinations are tame, this is anything but that.

The Kingdom of Ladakh is India’s connection with the roof of the world, Tibet. It is a landmass with many unique features those that can very well be counted among the natural wonders of the world. Divided into two districts Kargil and Leh, this kingdom has the harshest climatic conditions found in all of India. It has some of the highest motor able roads in the world, in fact the first three Khardung La (18380 ft), Tanglang La & Chang La (17668 ft) passes are right here.  For five winter months of the year the Drass sector in Kargil district reports temperatures in the range of -50deg C which is the second coldest inhabited area on mother earth. A mere 2 degrees C temperature saw our urban group from Mumbai, Pune, Nasik, Thane, Bhopal and Hyderabad being reduced to kulfi...and as the wind chill brought it further down we found ourselves huddling inside the most clothes ever worn by us at a single time in our lives.

The biting cold here gave purpose and meaning to even those T shirts and shirts which had been lying in the cupboards unworn for years...the very objective towards which some machine somewhere had spewed them out was being fulfilled here. Clothing is important, layered clothing is the norm. If I were to take a poll on which of the three Bollywood leading men (The Khan trio) could be popular here, Shahrukh and Aamir would win hands down. Salman in his films habitually makes a shirtless statement and going shirtless is the constituent of a horror story in Ladakh. 

Story? Is it a story? Is it an account? Is it a memoir? Could it be a film? What’s so special about a trip like this that has even me confounded for words? Read on Ye, all those who have entered here and cared to tolerate this babble so far. They called it a leisure tour but it turned out to be a rip roaring adventure, the kind we simply had not bargained for. 

Someday in March 2014, Somewhere near a tollnaka in Mumbai, Mulund (E) 

The missus , her esteemed highness, the right honourable Lady Gauri makes a proclamation, “We are going to Leh- Ladakh on 15th of August for 12 days and you have been booked too. Did you hear me?” I had not.

I was recovering from a river safari trip of 4 days to the Sunderban natural park, West Bengal. I had been there with a group of birdwatchers.  Yeah there is a species of homo-sapiens that prowl the earth with high tech equipment, binoculars, cameras, telephotos and sundry other stuff to watch birds of the feathered kind. Whatever happened to the more interesting sport of using your eyes on a more interesting bird type; one that wears pencil skirts, churidars, tight denims and sari’s? My tastes as you may have realized are more avuncular & discerning, my birds are not found flying around trees, friends. I was still floating in that hangover hence this announcement did not sink in properly.

“Re-arrange your work schedule and should you refuse then be assured - Your Bum Is TOAST”. It sank in and how. Wow, the intent seemed quite solid and the repercussions did not augur well for the adipose tissue resting in my denims, therefore I dutifully mustered delight on my face knowing nothing about what lay in store ahead.

After this, I promptly forgot about it in the interim six months until August arrived. On 1st Aug 2014, I was prodded again; we are now 15 days away from our holiday. Hurried essential shopping later, packing for a trip is a process that is taken very seriously. The lady is careful, precise and orderly while my style is well more brisk and quick. She neatly gathers her stuff around, decides what has to go in and where...mine is more like, find stuff, decide the take-along stuff, and then me stuffs the stuff. It is a personal conviction that even my style has merit, but alas, never found the lady quite amenable to it; in our together trips she subtly always manages to get her way. Thank heavens for that (Would never admit to her, but I guess she already knows it).

The 15th August found me seated in the morning flight, gobbling Upma with absolute relish. A very composed soul mate sat beside me looking outside the window as we flew into Srinagar. Until this point in the narrative we were the sole stars, the absolute lead pair of our film, not having met anyone from the tour organizers or participants so far.  

Srinagar 15th-16th August 2014

Walking outside the airport with our baggage we looked out for the placard of our tour operator ‘Trekmates India’ only to find one squiggly scrawl stating ‘Mumbai travellers with Trekmates India’ held on by a stern looking young man. Asking them and assuring ourselves that they were the ones we said, Okay...here we are. The stars (Us! what’s so surprising, my thought process always remains totally filmy) had finally reached the set. 

We were asked to wait and silently we did while the others were searched, assembled and sorted out to be carted to wherever we were to go. Then quite as suddenly, the quiet of the Kashmir valley was thoroughly shattered; the sound of multiple voices in various pitches, all speaking together, loudly and continuously reached our ears. The chattering decibels akin to that of a 100 hens laying 100 perfect eggs at one time. A large group of young women led by a middling aged fit gent had joined us. The organizers Nilesh & Nilesh (Thomson & Thompson, from Tintin, not quite but in purpose they reminded me of the twins from the comic strip) counted 15 while some said 16 and the debate continued as we were hustled into a SUV for the hotel.

Srinagar was under curfew. Why? No one knew either and on asking our driver pat came the reply “15th Aug hai na” accompanied by a sage nod as if that explained everything. Further he added it is quite normal here. In Mumbai we are used to the sight of an odd fat assed policeman with his belly sagging over his belt carrying a stick and chewing pan while here on every second street we passed fit army men toting rifles, even the cops here looked fit if not clean. We were asked to take a circuitous route to our hotel and after reaching there, were allotted rooms by a curly haired young man with a naughty smile. The itinerary had said one night halt and the next day sightseeing in Srinagar. After freshening up we were to assemble for chai and an introduction. As we floated down the stairs we discovered the entire hotel had been allotted to our two tour groups. The entire cast and crew of our movie had been assembled.

The Filmy Briefing  :-) 

The basement dining hall had chairs lined up and almost all occupied by a motley crew of ladies and ladies, I put on my spectacles to look closer and in between could see a spare sprinkling of my gender. Jeez what had I landed myself into was the question uppermost in my mind. The organizers took charge and to my utter dismay came out with the ultimate unoriginal ice-breaker “Introduce yourselves”. The cackling coop from the airport turned out to be Dentists from Nair Hospital celebrating their pass-out far away from home, chaperoned by their destination guardian, who was himself a medico and the father of one of them. Here is one garrulous dude with a pitch to match was the first impression I got from right across the room.

It was a mixed group about 12-16 were bikers whose bikes had not yet arrived hence the next day was a logistical halt coupled with the sights. One set of working women and a few mom’s and then us misfits who neither were here nor there belonging to no group. Thus a natural culling out of the herd was achieved for our transportation ahead, the bikers and pillions would naturally go on bikes, one TT ( Tempo Traveler-Mini Bus) to the working women, one TT to the dentists and one TT to the misfits. A few smart ones had got themselves into the SUV.

Thus our full length feature film was divided into two distinct plot lines: One for the TT & the SUV which we shall narrate in real time and one for the bikers which would come to you as a flashback. Then again the main narrative as under would come from one TT’s perspective as the storyteller scriptwriter was surreptitiously placed in T1. 

The organizers began impressively by taking a disciplined line of approach, warning all of the area we had chosen for this trip and what would happen should this line be broken. Had they been able to implement it in the days to come would have straight away nominated them for the highest civilian honors was the stray cheeky thought that flitted in and out. I looked at the lady besides who manages me quite effectively. Marriage grants one a wisdom that however hard a man tries he will never be able to manage a woman ever and here were these five naive men who entertained hopes of doing that with about forty. All the very best to this optimism, I said to myself not even sharing this thought with my better half at the risk of inviting a frosty glance if not actual peril.

Slowly we started mixing around getting to know each other tentatively at first over meals and then in the bus. We would be travel companions over the next 11 days.
After a sumptuous breakfast we sat in the bus to visit the first sight, the Shankaracharya temple of Shiva ( Jyeteshwara Temple ) atop a mountain called the Zabarwan about 1100ft from the ground , known by the Buddhists as Pas Pahar and to the Muslims as Takht –E-Suleiman (The Throne of Solomon) . Climbing the steps up to it , the breakfast was digested quicker than one could say Chole Bhature...It was pristine above. In the early morning with the clouds below us and the city below the clouds the sight made up for all the initial hardship of reaching there. A mammoth Shivling sat inside. The original structure is said to have been set up about 370 BC and built up gradually in subsequent years.

Srinagar has a host of Mughal Gardens very famous ones too...they too have a curious history behind them. Babar when he came into India in 1526 AD missed the gardens of his native Samarkand and hated this barren countryside of India with people who had no concept of fineness. He and his lineage, the Mughals built gardens in and around Delhi, Agra. Jahangir, the fourth Mughal Emperor loved the valley of Kashmir and he would visit here with his queen Noor Jehan. For her he built the Shalimar Gardens full of Chinar trees, water fountains and flora planted with exquisite care by skilled gardeners. Chashm-e-Shahi bagh and the Nishat bagh have also been built in the same Persian style, large lawns to lounge with colorful flowers and roses planted to create an ambience of comfort for the senses. Holidays and festivals have these gardens full of people enjoying their free time, an action not seen in mall infested metros of the rest of India. 

We slipped away to visit “Mughal Darbar” a culinary temple found in the middle of the Lal Chowk market area. This place is famous for its Wazwan but one has to be seriously circumspect while one is ordering it here. The portion sizes are not just huge they are mammoth, so if the waiter suggests half a plate be sure to ask him do they serve quarter plates? We thought we were being cute when we asked for half a Wazwan for the two of us. What came to our table was enough to feed not just us but also our four kittens and two cats for a week. The Wazwan is a multi course meal that consists of Traem or a tray of rice quartered by Seekh Kebabs, two pieces of Tabak Maaz ( Ribs browned in butter), Safed Kokur or Chicken Kebabs and an apology of Paneer ( not present in a traditional Wazwan ). This was accompanied by three pots of gravy one containing Rogan josh (minced balls of mutton the size of tennis balls, two of them per gravy), Rishta, Goshtaba and Aab gosht...we had foolishly ordered for Rotis too. This was clearly a case of absolute miscalculation on our part but we braved through all of it wanted to sample all in some proportion. Had this restaurant been in Mumbai we could have carried the food back home in a doggy bag and lived happily ever after. Alas, this was not Mumbai and we had to send most of it back uneaten. Not a bad meal but simply too much meat and too excess a quantity.

The Dal Lake shikara ride is nothing to write home about but we did the touristy thing simply for want of a better thing to do here. We got to know a cute pair of seniors from our bus, Mr & Mrs Patil ( an ex-cop and his lady, they were the parents of one of the films directors, Nilesh Patil). The best part was drinking quawwah while the ride is on, that is one drink we quite enjoyed wherever we had it. After this we retired back to our hotel in preparation for a long ride early the next day.

 The first leg of the journey had begun , and the fun was just waiting for us.         Contd in Part2/4 ..Click here